THMPSN, an Australian-born Phonk producer, DJ, and violinist, has carved out a singular house within the music world by mixing his classical coaching with the uncooked power of underground Phonk. From acting at prestigious venues throughout Europe to changing into a viral sensation in america, THMPSN’s journey is marked by his capacity to seamlessly merge class with grit. His newest collaboration with Dragon Boys on “VIOLINO DA BRUXARIA” showcases this expertise, fusing conventional Brazilian rhythms with darkish, atmospheric phonk parts. We had been fortunate sufficient to sit down down with the producer himself in an unique interview to delve into THMPSN’s evolution as an artist, the inspiration behind his newest tasks, and his imaginative and prescient for the longer term as he continues to push the boundaries of style and tradition in his music. Try the interview beneath and be sure you stream the act’s spectacular new single as effectively.
You’ve had a various musical journey beginning with classical coaching and worldwide excursions. How has your classical background influenced your present work within the phonk style?
My background in classical music has considerably influenced my work within the Phonk style by permitting me to include violin melodies and craft a particular sound that most individuals wouldn’t count on. By mixing classical melodies with Phonk parts, I’m creating one thing actually distinctive and totally different.
Are you able to share the story behind the creation of “VIOLINO DA BRUXARIA” and the way the collaboration with Dragon Boys took place?
I linked with the Dragon Boys on Instagram and immediately cherished their fashion and Brazilian Phonk. From there I created a Brazilian Phonk monitor, despatched it to them, they usually recorded their vocals. I then completed the monitor by including violin. It was an excellent expertise, and the method flowed easily.
The music video for “VIOLINO DA BRUXARIA” has a vibrant, car-culture-inspired aesthetic. How did you give you the idea for the video, and what was the expertise like directing it?
The music video was shot at my good friend’s automotive store, the place I’m at present having two basic vehicles constructed. Since Phonk is intently linked to the automotive scene, I wish to incorporate as many vehicles as attainable in my music movies to actually stand out within the style.
Brazilian phonk specifically seems to play a big position in your artwork – what parts of Brazilian music do you discover most compelling, and the way do they affect your sound?
I like the sound of Brazilian Phonk, particularly the massive, gritty synths. I actually get pleasure from creating these sounds and crafting melodies in that fashion.
You’re on a mission to deliver phonk into the mainstream. How do you see the present state of the style in our tradition, and the way do you see phonk rising sooner or later?
Phonk remains to be very a lot underground proper now, however I’m working arduous to create visuals that match the style and assist deliver it into the mainstream.
Wanting again at your journey from Australia to Las Vegas and your evolution as an artist, what has been probably the most pivotal second in your profession thus far?
Coming to America and assembly Neil Strauss was a game-changer for me. He had many big-name musicians coming out and in of his home, they usually confirmed me that being a violinist may imply a lot extra than simply enjoying in an orchestra. On the time, my mindset was very restricted—I felt misplaced with out sheet music. However from that have, I realized methods to improvise and realized there have been no guidelines; I may very well be inventive and do no matter I wished.
INTERVIEW: Rising Artist THMPSN Talks New “VIOLINO DA BRUXARIA” Single, Phonk, Classical Background + Extra
